élisabeth vigée le brun louvre pdf

E-mail. Luckily for Vigée Le Brunn, her number one fan Marie Antoinette persuaded her husband, Louis XVI, to overrule this. Bought, 1897. During this time she lived in Italy, Austria, Russia and Germany and continued painting subjects from the highest echelons of society. In a Europe torn by strife and revolution, she nevertheless managed to thrive as an independent, self-supporting artist, doggedly setting up studios in Rome, Naples, Venice, Milan, Vienna, St. Petersburg, and London. The presentation of this second portrait was a big success and several replicas of it were made. Through her exhibits at their home and the Hôtel de Lubert, as well as her new familial ties, she made numerous important contacts, soon being regularly commissioned to paint portraits of many a noble. Credit Line: Musée du Louvre, Paris, Département des Peintures (3052) She now eagerly looked forward to discovering Italy and its rich cultural heritage. A generous selection of illustrations, including sixteen of Vigée Le Brun's portraits presented in full color, completes this exceptional volume. on JSTOR. The Landscape Paintings of Albert Bierstadt?Who was Christina Chanlon? Vigée Le Brun was born in Paris in 1755 with artistic blood running through her veins; her father, Louis Vigée, was a portraitist and fan painter and her mother Jeanne was a hairdresser. Read as many books as you like (Personal use) and Join Over 150.000 Happy Readers. Elisabeth-Louise Vigée Le Brun (Paris 1755-1842) Portrait of La maréchale-comtesse de Mailly, née Blanche Charlotte Marie Félicité de Narbonne Pelet (1761-1840), half-length signed and dated 'Lse LeBrun.f.1783' (lower left) oil on canvas, oval 28 7/8 x 23 1/8 in. After all, had she not long dreamed of seeking a better understanding of the classical sources of art by visiting and even making a prolonged stay in Italy, as was customary for any serious artist? (For EndNote, ProCite, Reference Manager, Zotero, Mendeley...), CHAPTER FOUR Marie-Antoinette’s Portraitist, CHAPTER THIRTEEN Return to Imperial France. Long overlooked or dismissed, Vigée Le Brun's portraits now hang in the Louvre, in a room of their own, as well as in all leading art museums of the world. (73.4 x 58.7 cm.) Marie-Antoinette, Queen of France by Anonymous, after Elisabeth-Louise Vigée Le BrunPalace of Versailles. London: The National Gallery, NG1653. The name of Elisabeth Vigée Le Brun (1755–1842), whose remarkably long lifetime spanned the last decades of the Old Regime, the Revolution, the Empire, the Restoration, and the July Monarchy, is familiar enough, primarily because of what has been characterized by Ann Sutherland Harris and Linda Nochlin inWomen Artists, 1550–1950,as her prodigious talent” and as the much sought-after portraitist of not only European royalty and nobility, but also of notable personalities in the arts and letters of her time.¹. The experience of the sublime through the discovery of the Alps was a galvanizing moment for Vigée Le Brun. Provenance. Her life and professional career coincided with a period of profound social and political upheaval which not only led to the French Revolution but influenced almost every aspect of European life. Self Portrait in a Straw Hat, 1782. Accompanied by the ever loyal Auguste Rivière (her sister-in-law’s brother), who had faithfully followed her in her peripatetic career all the way to Russia, Vigée Le Brun was in a state of physical and emotional exhaustion as she embarked on her lengthy and arduous voyage back to Western Europe. Princess Anna Grigorievna Belosselsky Belozersky was the younger of two daughters of Gregory Vassilievitch Kozitsky, secretary of state to Catherine II. It snapped her out of her depression and restored her naturally optimistic frame of mind. While Elisabeth and her friend Rosalie Bocquet went about their daily task of studying their craft in Briard’s atelier, they were hardly aware of the major political and social events as well as the scandals that rocked the monarchy. Vigée Le Brun painted over 30 portraits of the Queen and her family, but the one that caused the biggest stir is one that is sometimes referred to as Marie-Antoinette in a Muslin Dress (below). Il s’agit du portrait de la comtesse Skavronskaia, une dame d’honneur de Catherine II, impératrice de Russie. Marie-Antoinette de Lorraine-Habsbourg, queen of France, and her children by Elisabeth Louise Vigée-LebrunPalace of Versailles. Celebrated for her expressive portraits of French royalty and aristocracy, and especially of her patron Marie Antoinette, Vigée Le Brun exemplified success and resourcefulness in an age when women were rarely allowed either. It was seen as unconventional and controversial as it went against the accepted close-lipped rules of French art. When she decided to return to her homeland in 1805, it was under the Empire. Vigée Le Brun may have been a self-made artist in a male-dominated world, but that didn't stop her from making waves in the art world in 18th-century France. But all resentments... Elisabeth Vigée Le Brun presents the unique case of a great woman artist who consistently subscribed to all the political, social, and religious values of Old Regime France, yet was a revolutionary in the way she fearlessly pursued an independent career as a self-taught, selfsupporting painter and as an exile wandering on her own in a Europe torn by revolution and war. But she gradually recovered as she eagerly took in the new sights afforded to her in the course of her journey. In Russia especially the French aesthetic was much admired, but Vigée Le Brun’s style was sometimes considered too revealing: Catherine the Great, the Empress of Russia, was shocked by the bare skin depicted on the arms of her granddaughters and Vigée Le Brun was forced to add sleeves. Read online Élisabeth Louise Vigée Le Brun - Free book pdf free download link book now. The authoress was born in 1756, at Paris, where she died in 1842. When he died in 1790, he was succeeded by his brother Leopold II, who at first seemed receptive to the French revolutionary cause and hoped to avoid a war... Vigée Le Brun had reached her fortieth birthday when she arrived in Saint Petersburg in the summer of 1795, but she had lost none of her enthusiasm, energy, and eagerness to test herself in the face of challenging new adventures and experiences. lista es va permetre indicar quant servien al seu talent les gràcies de la seva persona. Her father, an artist, introduced her to paint-ing, but he died when she was just twelve years old. Élisabeth Vigée Le Brun (1755-1842) Portrait of Louis-Philippe d’Orléans, 1779 Pastel - 80 x 63 cm Paris, Musée du Louvre Photo : Versailles Enchères 2. Download Elisabeth Vigee Le Brun Book For Free in PDF, EPUB. Authors: Melissa Hyde. But it was eminently in keeping with a tradition of formal portraiture of the spouse of a monarch. Though profitable, this role made Vigée Le Brun a public and controversial figure, and in 1789 it precipitated her exile. Jun 28, 2012 - Explore tracyene's board "Elisabeth Vigee Le Brun", followed by 1175 people on Pinterest. Try logging in through your institution for access. As the wife of an ambitious art dealer she also doubtless realized that a salon would be helpful to both her own career and her husband’s business.¹ Salons were presided over by women of culture and wit who also happened to have the right connections with men of power or exceptional achievement. She was the daughter of Louis Vigée, an obscure portrait painter. The portrait was executed for the queen’s brother, Emperor Joseph II, and Marie-Antoinette... Just as sociability permeated the art of Vigée Le Brun, it was also an important factor that motivated her to become asalonnière. Admirez son « Autoportrait au chapeau de paille » qui, malheureusement n'est pas au Louvre. Élisabeth-Louise Vigée Le Brun, Madame d’Aguesseau de Fresnes, 1789, oil on wood, National Gallery of Art, Samuel H. Kress Collection. Self-portrait with Her Daughter – Louise Élisabeth Vigée Le Brun “Self-portrait with Her Daughter, Julie” by Louise Élisabeth Vigée Le Brun portrays the prominent French portrait painter who was a friend and favorite artist of Marie Antoinette. Hanging next to the portrait en chemise, it shows a fresh-faced Marie Antoinette, holding a nosegay, in an elegant gray silk gown. Against all odds, she doggedly pursued her calling as an artist and was... JSTOR is part of ITHAKA, a not-for-profit organization helping the academic community use digital technologies to preserve the scholarly record and to advance research and teaching in sustainable ways. Source: The National Gallery. Élisabeth Vigée Le Brun. But they had occasionally seen each other in Paris after Julie’s separation from her husband, although Julie stubbornly rejected her mother’s repeated offers to come and live with her. She began her training in portraiture at a young age but had to be self-taught, as her gender meant she wasn’t accepted into formal training. Visit our online shop. She painted this piece for the Count of Angiviller, Director of the royal buildings. She ended up remaining there for more than two years, until July of 1805, retained not only by professional commitments but also by the warm hospitality extended to her by the English. Review. Marie-Antoinette by after Élisabeth-Louise Vigée Le BrunNational Gallery of Art, Washington DC. The Landscape Paintings of Albert Bierstadt. This site is like a library, you could find million book here by using search box in the header. All books are in clear copy here, and all files are secure so don't worry about it. Her subject matter and color palette can be classified as Rococo, but her style is aligned with the emergence of Neoclassicism. It showed the royal in a simple, loose-fitting cotton dress that caused an uproar for its informality and inelegance, and the Queen’s decision to be shown that way. Rating: 0 review. Élisabeth Louise Vigée Le Brun also known as Madame Lebrun or Madame Le Brun, was a prominent French portrait painter of the late 18th century. In the meantime, Bonaparte had consolidated his power by proclaiming himself Emperor of the French in May 1804 before a subservient senate. ©2000-2021 ITHAKA. InSouvenirsshe aptly evokes her first powerful impression of the city: “That brilliant sun, that stretch of sea, those islands perceived in the distance, that Vesuvius from which rose a great column of smoke, and the crowds so animated and noisy and who differ so markedly from those of Rome that one might suppose they were a thousand miles apart” (I, 196). All Rights Reserved. You do not have access to this Her ideal of happiness, of easy, spontaneous, and friendly communication with kindred souls is at the root of her salon. Long overlooked or dismissed, Vigée Le Brun’s portraits now hang in the Louvre, in a room of their own, as well as in all leading art museums of the world.This gripping biography tells the story of a singularly gifted and high-spirited woman during the revolutionary era and explores the development and significance of her art. View in Augmented Reality. Self-Portrait with Her Daughter, Julie (1780-1819) by Louise-Elisabeth Vigee Le Brun (1755-1842)Original Source: Paris, musée du Louvre. Download Élisabeth Louise Vigée Le Brun - Free book pdf free download link or read online here in PDF. Her baptismal name was Marie Louise Élisabeth. Log in to your personal account or through your institution. Marie-Antoinette with the Rose by Louise Elisabeth Vigée-LebrunPalace of Versailles. 1 mars 2020 - Explorez le tableau « Peintures D’Elisabeth Vigée Lebrun » de Maryse Abbadie, auquel 163 utilisateurs de Pinterest sont abonnés. Élisabeth Louise Vigée Le Brun (16 April 1755—30 March 1842), also known as Madame Lebrun or Madame Le Brun, was a prominent French portrait painter of the late eighteenth century. The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content. While the portrait brilliantly demonstrates Vigée Le Brun’s virtuosity as a court painter, it reveals little of its subject. After her death in 1780, her son and successor, Joseph II, impelled by the ideals of the Enlightenment, somewhat impetuously carried forward the reforms she had cautiously undertaken. Her beauty and natural graciousness easily endeared her to the nobility, and her stepfather’s move to the fashionable vicinity of Palais-Royal facilitated socially useful encounters. Self-Portrait with Her Daughter, Julie (1780-1819) by Louise-Elisabeth Vigee Le Brun (1755-1842)Original Source: Paris, musée du Louvre In 1789, the French Revolution was in full swing, and the Royal Family was arrested, forcing Vigée Le Brun to flee to France with her daughter for fears for their safety. Eventually Vigée Le Brun was able to return to her home of France when a successful campaign by her family had her name removed from a list of counter-revolutionary émigrés (those who had “escaped revolutionary justice”). The self-portrait she debuted at the Paris Salon showed her and her daughter, Julie, in a maternal embrace with Vigée Le Brun’s mouth parted and her teeth showing. Saturday 10 October. Her father taught her the rudiments and she also spent time studying the artistry of pictures on display in Paris’s galleries, most notably taking inspiration from the works of the Flemish Masters. Vigée Le Brun had tried to apply for a membership to the Académie Royale, but was refused because her husband was an art dealer, which broke the rules of admission. Soon after Waterloo and the 1815 Restoration Vigée Le Brun experienced a cruel personal loss. The portraitist was made a member in 1783, claiming one of the four spots available for women. She painted her first portrait of Marie-Antoinette in 1778,Marie-Antoinette “en robe à paniers”(plate 7). While she seemed to have remained ignorant (perhaps willfully so) of the dire economic realities that oppressed the people, she could not ignore all kinds of ominous rumors that reached her studio or salon. La première fois que je vis le nom d’Elisabeth Vigée Le Brun fut en regardant ce portrait. Medium: Oil on canvas. In the midst of her very busy life as an exceptionally sought-after and well-connected portraitist, Vigée Le Brun could not help being aware that the brilliant world she so greatly enjoyed was a brittle one. 3.7; University of Florida; Request full-text PDF… Besides, with its brilliant social life and thriving art market, London had a great deal to offer an enterprising, resourceful visitor like Vigée Le Brun. High quality painting realized at the end of the 18th century after Vigée Le Brun's 1780 original work housed in the Louvre Museum. In 1768 Marie Lesczynska, daughter of Stanislas I of Poland, queen of France and royal consort of Louis XV, who had borne his ten children but had led a retired existence at court and had made no attempt to rival the king’s mistresses, died. Elle fut l’une des plus grandes portraitistes de son temps et, accessoirement, une de mes artistes préférés. Her works are owned by major museums including the Louvre, National Gallery in Washington D.C., Metropolitan Museum of Art in New York in addition to many other museums. Louvre Museum, co-curators of the exhibition. Celebrated for her expressive portraits of French royalty and aristocracy, and especially of her patron Marie Antoinette, Vigée Le Brun exemplified success and resourcefulness in an age when women were rarely allowed either. Ladies of the court, among others the Duchess of Chartres, daughter-in-law of the Duke of Orléans, who frequently took... As Vigée Le Brun’s reputation grew, Versailles became increasingly aware of her existence (plate 6). JSTOR®, the JSTOR logo, JPASS®, Artstor®, Reveal Digital™ and ITHAKA® are registered trademarks of ITHAKA. Louise-Marie-Adélaïde de Bourbon-Penthièvre, duchess of Orléans by Elisabeth-Louise Vigée Le BrunPalace of Versailles. PDF. Elisabeth Louise Vigée Le Brun (1755–1842) was one of the finest eighteenth-century french painters and among the most important women artists of all time. In early December 1819 she learned that her daughter, Julie Nigris, was ailing and hastened to her side at her Paris apartment on 39, rue de Sèvres. Self-Portrait by Elisabeth Louise Vigée Le BrunKimbell Art Museum. This is a full-length, formal representation of the queen in court regalia, wearing a splendidly decorated white satin hoopskirt. The fashionable French circles, always eager for new faces and new talent, began to seek her out and to invite her to dinners and other functions. She managed, after fleeing from Paris in 1789, to continue painting and setting up studios in Rome, Naples, Venice, Milan, Vienna, Saint Petersburg, and London. Elisabeth Louise Vigee Le Brun, 1755-1842, was born in Paris during the reign of Louis XV, 1723-1774. Elisabeth Vigee Le Brun. By her teens she was already painting professionally, although the studio she worked from was seized when she was discovered to be operating without a license. The king’s grief was of short duration, and he hastened to acknowledge his new mistress, Jeanne Bécu,... As a singularly gifted and attractive young painter, Elisabeth Vigée came on the artistic and social scene at a particularly propitious time for her type of pleasing and idealized portraiture. In 1776 Mademoiselle Vigée was married to Jean Baptiste Pierre Lebrun, a notable picture dealer and critic, known also to his contemporaries as an inveterate gambler. January 2017; Early Modern Women 11(2):179-191; DOI: 10.1353/emw.2017.0018. When you hear the name Élisabeth Louise Vigée Le Brun, the next name that may come to mind is that of Marie Antoinette. This gripping biography tells the story of a singularly gifted and high-spirited woman during the revolutionary era and explores the development and significance of her art. Maria Theresa, the powerful mother of Marie-Antoinette, had, among her other accomplishments, increased the reputation of Vienna as a center of the arts, and especially of music. When Vigée Le Brun left France in 1803, it was under the Consulate. Her artistic style is generally considered part of the aftermath of Rococo with elements of an adopted Neoclassical style. Tickets ; Tickets. She died in 1842, at the age of 86 having left behind an impressive oeuvre that documented some of the most famous faces of history and a legacy of breaking taboos imposed on both artists and women. 1 - Élisabeth Vigée Le Brun (French, 1755-1842). Upon arriving in Naples on April 9, 1790, Vigée Le Brun immediately sensed that it was unique in its attractiveness and a world apart from other Italian cities, Rome in particular. Exposition Elisabeth Louise VIGEE LE BRUN 1755-1842 au Grand Palais (du 23-09-2015 au 11-01-2016) (un rappel en quelques photos (suivant le parcours de l’exposition) d’une partie des œuvres présentées lors de cette exposition). Élisabeth Louise Vigée Le Brun also known as Madame Lebrun or Madame Le Brun, was a prominent French portrait painter of the late 18th century. In 1780, Vigée-Le Brun gave birth to a daughter, Jeanne Julie Louise, whom she called Julie. The Odyssey of an Artist in an Age of Revolution by Gita May. Élisabeth Louise Vigée-LeBrun was widely known for flattering her sitters, a quality visible in this portrait of Princess Belozersky. Élisabeth Louise Vigée LeBrun was a French artist and considered one of the great portrait artists of her day. Marie Antoinette with a Rose, 1783. The foremost woman artist of her age, Elisabeth Vigée Le Brun (1755-1842) exerted her considerable charm to become the friend, and then official portraitist, of Marie Antoinette. (103 × 133 cm) Classification: Paintings. Vigée Le Brun’s work was popular for the way she flattered her sitters, making them appear naturally glamorous. Details. 2 - Élisabeth Louise Vigée Le Brun (French, 1755–1842). The city itself was a creation by the sheer willpower of Peter the Great at the dawn of the eighteenth century in order to provide for Russia an outlet to the sea and a port of trade through the Baltic. 1. book Meet the painter who shocked the 18th-century French art world. Rmn-Grand Palais Paris, France, France. She created more than 600 portraits, a considerable proportion of her total oeuvre of 800 paintings. Her flattering, elegant style is generally considered to be both Rococo and Neoclassical. In order to read online Elisabeth Vigee Le Brun textbook, you need to create a FREE account. Artist: Elisabeth Louise Vigée Le Brun (French, Paris 1755–1842 Paris) Date: 1780. Voir plus d'idées sur le thème elisabeth, élisabeth vigée le brun… Home > Elisabeth Louise Vigée-Le Brun, Hubert Robert, musée du Louvre. Despite the scandal, Marie Antoinette’s influence had a positive result on Vigée Le Brun’s career. Élisabeth Vigée-Lebrun, in full Marie-Louise-Élisabeth Vigée-Lebrun, Lebrun also spelled LeBrun or Le Brun, (born April 16, 1755, Paris, France—died March 30, 1842, Paris), French painter, one of the most successful women artists (unusually so for her time), particularly noted for her portraits of women. Later, in 1787, Vigée Le Brun again sent shockwaves through the Parisian art world for daring to paint something that no other artist would: a smile. Buy your ticket online. Large painting depicting "Peace Bringing Back Abundance" by a follower of Élisabeth-Louise Vigée Le Brun (French, 1755-1842). See more ideas about Female painters, Female artists, Portrait. Elisabeth Louise Vigée Le Brun. Wednesday 4 November. The book also recounts the public and private lives of Elisabeth Vigée Le Brun, connecting her with such personalities of her age as Catherine the Great, Napoleon, and Benjamin Franklin, and setting her experiences in the context of contemporary European politics and culture. Not long later she married Jean-Baptiste-Pierre Le Brun, a painter and art dealer whose great-great-uncle, Charles Le Brun, was the first director of the Académie Royale under Louis XIV. Vigée Le Brun, undeterred, quickly painted a dazzling replacement. Throughout her lifetime, she created over 660 portraits and 200 landscapes. The foremost woman artist of her age, Elisabeth Vigée Le Brun (1755-1842) exerted her considerable charm to become the friend, and then official portraitist, of Marie Antoinette. Découvrir le Louvre - En famille; Découvrir le Louvre - Louvre, mode d'emploi; Découvrir le Louvre - Visites guidées ; Comparer deux œuvres autour du thème de la Nativité; Shopping; Shopping. Her artistic style is generally considered part of the aftermath of Rococo with elements of an adopted Neoclassical style. Louise Élisabeth Vigée Le Brun (Marie Élisabeth Louise; 16 April 1755 – 30 March 1842) was born in Paris and was a prominent French painter of the time. Figure(s) : *Di*/zaïn evening #24 by *interactive designers* Producer: Benoît Drouillat; artistic director: Marina Wainer; presented by: Geoffrey Dorne. Fig. Among Vigée Le Brun’s best-known works are her famous portraits of Marie-Antoinette, either alone or surrounded by... On April 16, 1755, during the reign of Louis XV, a baby girl was born to Louis Vigée, a minor but well-connected Parisian portraitist, and Jeanne Maissin, a handsome and pious hairdresser, daughter of amarchandlaboureur,or merchant farmer, who hailed from Rossart, in the province of Luxembourg. Oil on canvas; 116.8 × 88.9 cm (46 × 35 in). We cannot guarantee that every book is in the library. When Vigée Le Brun arrived in Vienna, Austria had recently entered into war with revolutionary France. Madame Grand (Noël Catherine Vorlée, 1761–1835) by Élisabeth Louise Vigée Le BrunThe Metropolitan Museum of Art. Oil on canvas; 97.8 x 70.5 cm (38 1/2 x 27 3/4 in). description . Elisabeth Louise Vigée Le Brun (1755–1842) was one of the finest eighteenth-century french painters and among the most important women artists of all time. She is most remembered for her 30 portraits of the famed Queen, but her work expanded far beyond this, creating around 660 portraits and 200 landscapes during her career. The painting was removed from the Salon shortly after and Vigée Le Brun quickly painted a similar one, this time with the Queen dressed in a classic blue-grey silk dress. She caught the eye of Marie Antoinette, who became one of the artist’s best customers—but not without scandal. Undeterred, she applied to the Académie de Saint-Luc, a painter’s guild that mostly catered to those who lacked the money or rich patrons to be members of the Académie royale de peinture et de sculpture, France’s premier art institution. Comtesse de la Châtre (Marie Charlotte Louise Perrette Aglaé Bontemps, 1762–1848) by Élisabeth Louise Vigée Le BrunThe Metropolitan Museum of Art. The National Museum of Western Art, Tokyo. Fig. She was made a member in 1774. Dimensions: 40 3/8 × 52 1/8 in. Elisabeth Vigée Le Brun est le … 57 Examining Portraits 3 Painter to the Queen Vigée Le Brun was born in Paris during the reign of Louis XV. Télécharger Mundus muliebris: Elisabeth Louise Vigée Le Brun, peintre de l'Acien régime féminin Télécharger PDF, EPUB – KINDLE Télécharger Mundus muliebris: Elisabeth Louise Vigée Le Brun, peintre de l'Acien régime féminin Télécharger PDF, EPUB – KINDLE (orlofflaw.com) submitted 1 minute ago by pdfBooks_ comment; share; save Her artistic style is generally considered part of the aftermath of Rococo with elements of an adopted Neoclassical style. Mother and daughter had long had a difficult, tense relationship, due principally to Julie’s headstrong ways, and especially to her ill-advised and ill-fated marriage to Nigris. J'avoue un faible pour Elisabeth Vigée-Lebrun (1755 – 1842) dont le musée du Louvre possède neuf tableaux et un pastel. Self-Portrait by Marie-Gabrielle CapetThe National Museum of Western Art, Tokyo. She continued to travel, but eventually settled down in Louveciennes, in the suburbs of Paris. Ce n’est Elisabeth Vigée Le Brun représentée sur ce tableau. Her first stop was Narva, a well-fortified little town in Estonia, edged with picturesque houses and English gardens, the Baltic sea within view. In 1789, the French Revolution was in full swing, and the Royal Family was arrested, forcing Vigée Le Brun to flee to France with her daughter for fears for their safety. She noted that both men and women... Vigée Le Brun expected to stay a few months in England. Though profitable, this role made Vigée Le Brun a public and controversial figure, and in 1789 it precipitated her exile. Overall, the artist was widely appreciated, and she was elected to Italy’s Academy in Parma, Accademia di San Luca in Rome and was made a member of the Academy of Fine Arts of Saint Petersburg. La paix ramenant l'abondanceFXD.jpg 5,233 × 4,044; 4 MB Le duc Louis-Philippe d'Orléans par Élisabeth Vigée-Lebrun (Louvre, RF 55296).jpg 2,112 × 2,816; 1.78 MB Élisabeth Louise Vigée Le Brun (also spelt Vigée-Lebrun; French pronunciation: [elizabɛt lwiz viʒe ləbʁœ̃]; 16 April 1755 – 30 March 1842), also known as Madame Le Brun, was a prominent French portrait painter of the late 18th century.. The Louvre, Élisabeth Vigée Le Brun 18th Century. Inspired by the Madonna paintings of the High Renaissance, this portrait is one of only two paintings of the artist with her daughter. Elisabeth-Philippe-Marie-Hélène de France, said Madame Elisabeth by Elisabeth-Louise Vigée Le BrunPalace of Versailles.

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