20 h 06 La vie et l'oeuvre de Pina Bausch racontées par Andrée Martin Durée : 23:00 En 1995, à Avignon, la chorégraphe allemande Pina Bausch danse dans son ballet Café Müller. She will be remembered as one of the most significant choreographers of the twentieth century. Yet in making this unusual move, Pina Bausch had finally found the form her work would take, its dream-like, poetic imagery and bodily language justifying the worldwide success she soon achieved. [17] In 2008, the city of Frankfurt am Main awarded her its prestigious Goethe Prize. A large portion of her ensemble no longer wished to work with her as there was little conventional dancing in her pieces. The spaces created are poetic, with the outside often brought in, the stage expanded into a landscape. "Kontakthof" is composed of Kontakt ("contact") and Hof ("court, courtyard"), resulting in "courtyard of contact," which is also a technical term for an area in some brothels where the first contact with prostitutes is possible. Commande de l'Exposition de Lisbonne, Masurca Fogo raconte sa vision de la capitale portugaise. The humour and the beauty, often overlooked in the beginning, even when they lay in the apparently ugly, were gradually understood over the years. Passion de la chorégraphe allemande pour ses danseurs, et réciproquement. video 25 avril 1998 2603 vues 02min 35s. "Ich bring dich um die Ecke," literally "I'll take you around the corner," can mean "I'll accompany you around the corner" but also colloquially "I'll kill you." [18], Works by Bausch were staged in June and July 2012 as a highlight of the Cultural Olympiad preceding the Olympic Games 2012 in London. She is survived by her son Salomon. In 2009, Bausch started to collaborate with film director Wim Wenders on a 3D documentary, Pina. [12] She stated: "It is almost unimportant whether a work finds an understanding audience. À partir de 1979, Gérard Violette accueille Pina Bausch au Théâtre de la Ville à Paris. It is a theatre which remains free of all ideology and dogma, viewing the world with as little prejudice as possible and acknowledging life – in all its facets. La chorégraphe et danseuse allemande du Tanztheater de Wuppertal (ouest de l'Allemange), Pina Bausch, est morte mardi matin à l'âge de 68 ans. [23], Promotional trailers for the third season of American Horror Story: Coven included a clip for the episode "Detention" and were likely influenced by Bausch's work Blaubart. Wenders' documentary, Pina, was released in late 2011 in the United States, and is dedicated to her memory. En 30 ans, les critiques adressés à sa démarche se sont transformées en ovations. [24], The following table shows works since 1973. Visionnez gratuitement les vidéos du programme L'incontournable en streaming sur Auvio. Sur les pas de Pina Bausch 18h12 , le 10 octobre 2010, modifié à 12h18 , le 19 juin 2017. One thing with various other things. The young dance student Bausch thus acquired techniques for free creative expression as well as the command of a clear form. Awarded some of the greatest prizes and honours world-wide, Pina Bausch is one of the most significant choreographers of our time. La passion est au coeur de l'oeuvre de Pina Bausch. Elle fume constamment, a les cheveux bruns coiffés en queue de cheval basse, et porte toujours un même uniforme neutre, androgyne. Il faut imaginer Pina Bausch observant ses danseurs pendant leurs répétitions. There is no music. From Kurt Jooss she had learned 'honesty and precision'. It invites them to make peace with life, and trust their courage to go on living and their own strength. She took every opportunity to see performances and absorbed all the various tendencies. When talking about her process she stated, "There is no book. To many people the grief and despair evoked in 1977's Blaubart – Beim Anhören einer Tonbandaufnahme von Bela Bartóks Oper "Herzog Blaubarts Burg" (Bluebeard. She had a very specific process in which she went about creating emotions. 4 Chorégraphie Pina Bausch 1975 L´Opéra Wuppertal, Tanztheater Wuppertal, L´Elue Malou Airaudo. The film premiered at the Berlin Film Festival in 2011. La chorégraphe Pina BAUSCH présente sa dernière création, "Nefes", au Théâtre de la Ville, à Paris. 4:40. But along with her talent for drama Pina Bausch also demonstrated a sense of humour right from the start, seen for instance in her Brecht/Weill double-bill Die sieben Todsünden (The Seven Deadly Sins) and Fürchtet Euch nicht (Don't Be Afraid) of 1976. The result of this joint investigation was premiered on 22 April 1978 in Bochum under the lengthy title Er nimmt sie an der Hand und führt sie in das Schloss, die andern folgen (He takes her by the hand and leads her into the castle, the others follow) and was almost drowned out by the storm of protest from the audience. With the two Gluck operas Iphigenia in Tauris (1974) and Orpheus and Eurydice (1975) she created the first dance operas. Pendant cinq semaines, la cinéaste Chantal Akerman a suivi une tournée du Tanztheater Wuppertal, la compagnie cosmopolite de Pina Bausch. It was then that her parents saw her potential.[7]. Reportage sur le spectacle de Pina BAUSCH "Palermo Palermo" présenté au Théâtre de la Ville à Paris. She stated, "In the end, it's composition. Several universities have awarded her an honorary doctorate. The city was seen as a dance Mecca, where classical ballet was being reinvented thanks to George Balanchine and modern dance further developed. Company, Artistic Practices and Reception. The atmosphere of her early childhood seems to find an echo later in her pieces; music is heard, people come and go, and talk of their yearning for happiness. Orphée et Eurydice - Pina Bausch. [11] In 1969, she succeeded Jooss as artistic director of the company.[8]. Some sources erroneously spell her name "Philippina". In taking people's essential emotions as its starting point - their fears and needs, wishes and desires - the Tanztheater Wuppertal was not only able to be understood throughout the world, it sparked an international choreographic revolution. On 30 June 2009 Pina Bausch's life journey reached its end. Out of the finds brought back from the journey which begins with each new piece, out of the many small scenes and the many dancers – ever more over the years – a global image of enormous complexity is pieced together, full of surprising turns. [6] She created the company Tanztheater Wuppertal Pina Bausch, which performs internationally. "Pina Bausch: Dancer and choreographer whose seminal work gave an unsettling view of the human condition", Pina Bausch, German choreographer and dancer, dies, Pina Bausch dance cycle to be staged as part of 2012 Cultural Olympiad, "Pina Bausch dies at 68; innovative German choreographer", "American Horror Story Season 3 Spoilers", Fest mit Pina – Internationales Tanzfestival 2008 – Programm, Kontraste prägen Pina Bauschs neues Tanzstück, Tanztheater Pina Bausch startet zu Gastspielreise nach Chile, "The Death of the German Choreographer Pina Bausch", "Pina Bausch, 1940–2009 / We have lost dance's most visionary, influential figure, who redrew the map of the theatre arts", "Pina Bausch, German Choreographer, Dies at 68", "Pina, Queen Of The Deep / Pina Bausch, Tanztheater Wuppertal", Archival footage of Lutz Forster performing in Pina Bausch's, Archival footage of a complete performance (, Dance photo, Helena Pikon by Peter Lind 1986, Dance photo, Jan Minarik & Dominique Mercy by Peter Lind 1986, Laurence Olivier Award for Outstanding Achievement in Dance, https://en.wikipedia.org/w/index.php?title=Pina_Bausch&oldid=996961819, Recipients of the Pour le Mérite (civil class), Knights Commander of the Order of Merit of the Federal Republic of Germany, Fellows of the American Academy of Arts and Sciences, Articles with dead external links from April 2018, Articles containing Italian-language text, Articles containing Portuguese-language text, Articles containing Spanish-language text, Articles containing Turkish-language text, Wikipedia articles with CANTIC identifiers, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with PLWABN identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, Come dance with me, piece using old folk songs. He had succeeded in re-invigorating the Folkwang Ballet, subsequently re-named the Folkwang Tanzstudio. Jooss was a significant proponent of pre- and post-war German modern dance which had freed itself from the shackles of classical ballet. In June 2007 she was presented with the Venice Biennale Golden Lion for her life's work and in November that year she was awarded the highly respected Kyoto Prize. Aun collègue qui l’interrogeait sur le côté torturé de certains de ses spectacles, Pina Bausch avait rétorqué, sourire aux lèvres : « Mais non ! She created her first works in Wuppertal as guest choreographer, performed with members of the Folkwang Tanzstudio: Aktionen für Tänzer (Actions for Dancers) in 1971 and the Tannhäuser Bacchanal in 1972. From the answers develop gestures, sentences, dialogues, little scenes." Repetition is an important structuring device. In her later work her affinity to opera and her respect for musical tradition was to play a equal role to, for instance, her love of jazz. They always, however, leave their public in the certainty that - despite all its ups and downs - they will survive life. Under this name, although controversial at the beginning, the company gradually achieved international recognition. As a dancer she worked with Paul Taylor, Paul Sanasardo and Donya Feuer. Kontakthof – with men and women of age 65 and up, For the children of yesterday, today, and tomorrow, Kontakthof, with teenagers 14 years and up. [10] It was in New York City that Pina stated, "New York is like a jungle but at the same time it gives you a feeling of total freedom. The worldwide development of dance theatre resulted in many international co-productions for the Tanztheater Wuppertal: Viktor, Palermo Palermo and O Dido in Italy, Tanzabend II (Dance Evening II) in Madrid, Ein Trauerspiel (A Tragedy) in Vienna, Nur Du (Only You) in Los Angeles, Der Fensterputzer (The Window Washer) in Hong Kong, Masurca Fogo in Lisbon, Wiesenland (Meadow Land) in Budapest, Água in Brazil, Nefés (Breath) in Istanbul, Ten Chi in Tokyo, Rough Cut in Seoul, Bamboo Blues in India and most recently the new 2009 production in Chile, which Pina Bausch was no longer able to give a title to. In the early Wuppertal years this lead to consternation among press and public. In 1973, Bausch started as artistic director of the Wuppertal Opera ballet, as the Tanztheater Wuppertal [de], run as an independent company.
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