albrecht dürer rhinocéros 1515

He depicts an animal with hard plates that cover its body like sheets of armour, with a gorget at the throat, a solid-looking breastplate, and what appear to be rivets along the seams. His skillful use of perspective and mathematical proportions made him one of the outstanding artistic figures of the early 16th century. [1] The image is based on a written description and brief sketch by an unknown artist of an Indian rhinoceros that had arrived in Lisbon in 1515. Projet qui réunit une communauté du rhinocéros : artistes, artisans, industriels. (Bedini, p.121.) Accession Number. Beautiful quality print! Hear about the contest held by Manuel I of Portugal. [40][50], Some sources erroneously say 1513, copying a typographical error made by Dürer in one of his original drawings and perpetuated in his woodcut. Although the letterpress text atop this broadsheet suggests otherwise, he in fact copied the woodcut from a drawing and a description given by an eyewitness before the ship carrying this gift for the king of Portugal sank on the way from India. This is an accurate representation. Albrecht Dürer had a showman’s instincts for killer subject matter. Dürer, Albrecht. [48], Until the late 1930s, Dürer's image appeared in school textbooks in Germany as a faithful image of the rhinoceros;[7] and it remains a powerful artistic influence. Beck … The image is available via Institutional Open Content, and tagged Animals. WHAT YOU’LL NEED: 12” x 18” white sulphite paper Black oil pastel Liquid watercolor Medium round paintbrush Dürer Pattern Rhino. Dürer produced a first edition of his woodcut in 1515, in the first state, which is distinguished by only five lines of text in the heading. Dürer may have anticipated this and deliberately chosen to create a woodcut, rather than a more refined and detailed engraving, as this was cheaper to produce and more copies could be printed. Jean-Baptiste Oudry painted a life-size portrait of Clara the rhinoceros in 1749, and George Stubbs painted a large portrait of a rhinoceros in London around 1790. Perhaps anticipating high demand, Dürer rendered the animal not as an engraving, but a cheaper woodcut, which meant it could be quickly and easily reproduced. Giclee Print. Rhinoceros. About this artwork. [19][20], Valentim Fernandes, a Moravian merchant and printer, saw the rhinoceros in Lisbon shortly after it arrived and described it in a newsletter sent to the Nuremberg community of merchants in June 1515. [12] A rhinoceros had not been seen in Europe since Roman times: it had become something of a mythical beast, occasionally conflated in bestiaries with the "monoceros" (unicorn), so the arrival of a living example created a sensation. Le Rhinocéros de Dürer est une gravure sur bois d’Albrecht Dürer datée de 1515. The German inscription on the woodcut, drawing largely from Pliny's account,[14] reads: On the first of May in the year 1513 AD [sic], the powerful King of Portugal, Manuel of Lisbon, brought such a living animal from India, called the rhinoceros. In 1515 Albrecht Durer was 44 and had recently returned from his second trip to Italy. The enclosure is ripped up, and she will elude us forever. The rhinoceros travelled in a … An Indian Rhinoceros arrived in Lisbon, Portugal in 1515; a gift from a sultan to the king. Dürer never saw the actual rhinoceros, which was the first living example seen in Europe since Roman times. 1964.8.697. Artist: In the manner of Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg) Date: 1515 Medium: Watercolor on vellum. It is said that the rhinoceros is fast, impetuous and cunning. It lives at the Metropolitan Museum of Art in New York. 241; S.M.S. My husband was absolutely delighted with his Father’s Day gift. Find your thing. Apr 25, 2014 - Christopher Reiger is an inspiring fellow. He was also known for his woodcuts and copper engravings, notably The Apocalypse series (1498), Adam and Eve (1504), Saint Jerome in His Study (1514), and The Rhinoceros (1515). Best Seller. Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online. Albuquerque passed the gift on to Dom Manuel I, the king of Portugal. Lots of different size and color combinations to choose … 136; M., Holl. After resuming its journey, the ship was wrecked in a sudden storm as it passed through the narrows of Porto Venere, north of La Spezia on the coast of Liguria. What you see: The Rhinoceros, a 1515 woodcut by German artist Albrecht Dürer. Find more prominent pieces of animal painting at Wikiart.org – best visual art database. Emanuel intended to present the animal to Pope Leo X, but first a fight was arranged between it and an elephant. [36] Janssen decided to re-issue the block with the addition of a new tone block printed in a variety of colours, olive-green and dark green, as well as blue-grey. Together with other precious gifts of silver plate and spices, the rhinoceros, with its new collar of green velvet decorated with flowers, embarked in December 1515 for the voyage from the Tagus to Rome. Goede overlevende indrukken zijn echter zeldzaam. It sailed on the Nossa Senhora da Ajuda,[9] which left Goa in January 1515. If a stuffed rhinoceros did arrive in Rome, its fate remains unknown: it might have been removed to Florence by the Medici or destroyed in the 1527 sack of Rome. Asia karyanyo tu tainspirasi dari sketsa badak jo panjalehan singkek nan dibuek dek seniman badak India nan tibo di Lisbon pado taun 1515. Update: The sixth state of the 1515 Albrecht Dürer print, The Rhinoceros, sold for $81,250. Artist: Albrecht Dürer German, 1471-1528. [2] In late 1515, the King of Portugal, Manuel I, sent the animal as a gift for Pope Leo X, but it died in a shipwreck off the coast of Italy in early 1516. Unlike posters, they will not yellow with time, but will maintain their original quality for as long as you own them. Durer based this depiction of a rhinoceros upon sketches and descriptions of the animal #MediaStorehouse Shop Art.com for the best selection of Albrecht Dürer Rhinoceros wall art online. Dürer's Rhinoceros is the name commonly given to a woodcut executed by German painter and printmaker Albrecht Dürer in 1515. Dürer Rhinoceros atau Badak Dürer adolah namo ukiran dari potongan kayu nan dibuek dek palukih Jerman Albrecht Dürer pado taun 1515. Albrecht Dürer The Rhinoceros (B. It is the colour of a speckled tortoise,[28] and is almost entirely covered with thick scales. Cole, F.J. (Francis Joseph), "The History of Albrecht Durer's Rhinoceros in Zoological Literature," essay in Underwood, E. Ashworth (ed. 241; S.M.S. Are those shoulders and flanks or plates of armour? On Trinity Sunday, 3 June, Manuel arranged a fight with a young elephant from his collection, to test the account by Pliny the Elder that the elephant and the rhinoceros are bitter enemies. See also a French translation in the doctoral thesis of Bruno Faidutti at l', Group of History and Theory of Science – Dürer's Rhinoceros, História do famoso rhinocerus de Albrecht Dürer, "Albrecht Dürer's Rhinoceros, a drawing and woodcut", The Durer Rhinoceros - Masterpieces of the British Museum, File:Durer's Rhinoceros on Cathedral Door, Pisa C17th.jpg, "Albrecht Dürer: Masterpieces from a Private Collection", Joachim and Anne Meeting at the Golden Gate, Portrait of the Artist's Mother at the Age of 63, Colossal quartzite statue of Amenhotep III, Amun in the form of a ram protecting King Taharqa, https://en.wikipedia.org/w/index.php?title=Dürer%27s_Rhinoceros&oldid=996864863, Prints and drawings in the British Museum, Articles with French-language sources (fr), Articles with Portuguese-language sources (pt), Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License. The Rhinoceros, 1515. Durer's rhino 1515: Author: Albrecht Dürer: Year: 1515: Description: This first state impression of Albrecht Dürer's (1471-1528) print of the Portuguese rhino was so well publicized that it was considered a true representation of the rhinoceros for more than two hundred years afterwards. He creates wondrous paintings and writes extensively on art, ecology, philosophy and theology. "Albrecht Dürer The Rhinoceros (B. Zeer populair, het ging door acht edities. "Albrecht Dürer, The Rhinoceros, 1515, woodcut, sheet (trimmed to image): 23.5 x 29.8 cm (9 1/4 x 11 3/4 in. Prior to that it inspired work as diverse as illustrations in naturalist books, the Duke of Florence’s emblem, and a relief sculpture on the doors of Pisa cathedral. [8] At that time, the rulers of different countries would occasionally send each other exotic animals to be kept in a menagerie. The rhinoceros is so well-armed that the elephant cannot harm it. The image is based on a written description and brief sketch by an unknown artist of an Indian rhinoceros that had arrived in Lisbon in 1515. Dürer’s Rhinoceros is a woodcut created by Albrecht Dürer in 1515 A.D. As an illustration of an animal at the center of a famous series of events, the woodcut was highly popular in the artist’s lifetime. Often depicting religious subjects, Dürer’s woodcuts and engravings demonstrated unprecedented technical skill, tonal variation, and compositional sophistication. no. In Europe, Dürer’s rhino was taken to be the real deal well into the 18th century, when actual rhinos toured the continent and dispelled the illusion. / Born in Nuremberg, Dürer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. [22] A second letter of unknown authorship was sent from Lisbon to Nuremberg at around the same time, enclosing a sketch by an unknown artist. The expert: David Weiss, senior vice president at Freeman’s. The woodcut was, per Quammen, p.204, cut on the block by a specialist craftsman known as a, Rough translation of the German original. Raphael: Portrait of Bindo Altoviti (ca. 5 out of 5 stars. [41] A sculpture of a rhinoceros based on Dürer's image was placed at the base of a 70-foot (21 m) high obelisk designed by Jean Goujon and erected in front of the Church of the Sepulchre in the rue Saint-Denis in Paris in 1549 for the royal entry welcoming the arrival of the new King of France, Henry II. Famous paintings include a self-portrait from 1500 and the so-called Four Apostles (1526). It has been said of Dürer's woodcut: "probably no animal picture has exerted such a profound influence on the arts".[7]. Albrecht Dürer (German, 1471--1528) Rhinoceros, 1515 Woodcu... A duel between a rhinocerus and an elephant? He was also known for his woodcuts and copper engravings, notably The Apocalypse series (1498), Adam and Eve (1504), Saint Jerome in His Study (1514), and The Rhinoceros (1515). Dimensions: image: 8 3/8 x 11 5/8 in. It had been presented by the ruler of Gujarat, Sultan Muzafar II, to the governor of Portugese India, Alfonso d'Albuquerque, who sent it on to King Manuel I in Lisbon, where it arrived on 20 May, 1515. Dürer's Rhinoceros is the name commonly given to a woodcut executed by German painter and printmaker Albrecht Dürer in 1515. They call it a rhinoceros. Artists / Makers Albrecht Dürer (artist) German, 1471 - 1528. Considered one of the foremost artists of the Renaissance period, Albrecht Dürer’s extensive work in printmaking transformed the categorization of the medium from craft to fine art. Source 2017, Albrecht Dürer, Art, Berlin, copy, Drawing, Hommage, Ink, Kopie, Kunst, Nashorn, Ramona Taterra, rhinoceros, tribute, Tusche, Zeichnung Inzwischen … “Jippieh” – Radierung Motivgröße 10 x 22 cm / Strichätzung und Aquatinta nach der gleichnamigen Zeichnung aus dem Jahr 2009 … It was housed in King Manuel's menagerie at the Ribeira Palace in Lisbon, separate from his elephants and other large beasts at the Estaus Palace. Albrecht Durer : “The Rhinoceros” (1515) Archival Inkjet on Matte Finish Fine Art Paper. The popularity of the inaccurate Dürer image remained undiminished despite an Indian rhinoceros spending eight years in Madrid from 1580 to 1588 (although a few examples of a print of the Madrid rhinoceros sketched by Philippe Galle in Antwerp in 1586, and derivative works, have survived), and the exhibition of a live rhinoceros in London a century later, from 1684–86, and of a second individual after 1739. An Indian Rhinoceros arrived in Lisbon, Portugal in 1515; a gift from a sultan to the king. It is the size of an elephant but has shorter legs and is almost invulnerable. Albrecht Durer (1471- 1528) was a German artist. ), This page was last edited on 28 December 2020, at 23:58. His woodcut is derived from a written description and sketch by an unknown artist. Despite its anatomical inaccuracies, Dürer's woodcut became very popular in Europe and was copied many times in the following three centuries. 1515) Leonardo da Vinci: Portrait of Ginevra de' Benci (1474-78) Albrecht Durer: Portrait of an Unknown Cleric (1516) Lorenzo Otto: Portrait of a Young Man in front of a White Courtain (1505-06) Luca Signorelli: PORTRAIT OF AN OLDER MAN (ca. Dürer n’a jamais observé ce rhinocéros qui était le premier individu vivant vu en Europe depuis l’époque romaine. Freeman’s estimates it at $12,000 to $18,000. $22. [25][26] and printed a reversed reflection of it.[20][27]. 1492). (Bedini, p.121.). Famous paintings include a self-portrait from 1500 and the so-called Four Apostles (1526). Free shipping! All products are produced on-demand and shipped worldwide within 2 - 3 business days. Jan 10, 2014 - This Pin was discovered by MakingArtFun.com. [3][4], Dürer's woodcut is not an entirely accurate representation of a rhinoceros. So, for those who might never have encountered Albrecht Dürer […] Find more prominent pieces of animal painting at Wikiart.org – best visual art database. In early 1514, Afonso de Albuquerque, governor of Portuguese India, sent ambassadors to Sultan Muzaffar Shah II, ruler of Cambay (modern Gujarat), to seek permission to build a fort on the island of Diu. In the context of the Renaissance, it was a piece of classical antiquity which had been rediscovered, like a statue or an inscription. [11], The block passed into the hands of the Amsterdam printer and cartographer Willem Janssen (also called Willem Blaeu amongst other names). The project takes its inspiration from Albrecht Durer's 1515 woodcut "The Rhinoceros." "The Rhinoceros Project" was created by Beck and Wilson in 2016. 136; M., Holl. On the other hand, his depiction of the texture may represent dermatitis induced by the rhinoceros' close confinement during the four-month journey by ship from India to Portugal. None of these features is present in a real rhinoceros. The tower was later decorated with gargoyles shaped as rhinoceros heads under its corbels. British Museum London, United Kingdom. your own Pins on Pinterest My husband was absolutely delighted with his Father’s Day gift. It combines his passion for science with his gift for the awesome and fantastic. Credit Line. [35][39] There is an example in the British Museum. The Rhinoceros is a Northern Renaissance Wood Block Print Print created by Albrecht Dürer in 1515. Dec 30, 2019 - albrecht dürer: the rhinoceros | 1515 | sheet 23.8x29.9 | this woodcut of an indian rhinoceros has proved endlessly popular since its first publication | eight editions of the print were taken from the original block | metropolitan museum of art, new york [31] Dürer also draws a scaly texture over the body of the animal, including the "armour". [36] Images derived from it were included in naturalist texts, including Sebastian Münster's Cosmographiae (1544), Conrad Gessner's Historiae Animalium (1551), Edward Topsell's Histoire of Foure-footed Beastes (1607) and many others. The Portuguese vessel stopped briefly at an island off Marseilles,[18] where the rhinoceros disembarked to be beheld by the King on 24 January. Albrecht Dürer’s woodcut of a rhinoceros, made in 1515. Open Access image. [10] The ship, captained by Francisco Pereira Coutinho,[11] and two companion vessels, all loaded with exotic spices, sailed across the Indian Ocean, around the Cape of Good Hope and north through the Atlantic, stopping briefly in Mozambique, Saint Helena and the Azores. At the time Portugal's navy dominated the Indian Ocean and controlled the world's spice trade. … The Rhinoceros is a drawing by Albrecht Durer which was uploaded on April 8th, 2013. Yay! Giclee Print. The King was keen to curry favour with the Pope, to maintain the papal grants of exclusive possession to the new lands that his naval forces had been exploring in the Far East since Vasco da Gama discovered the sea route to India around Africa in 1498. Un rhinocéros au monde, … Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online. The Rhinoceros, 1515 Albrecht Dürer. Purchased item: The drawing may be purchased as wall art, home decor, apparel, phone cases, greeting cards, and more. woodcut on laid paper. The Ibis’s giclée process uses archival pigment inks on 100% cotton rag paper to achieve crisp detail and rich, lasting color. Beautiful quality print! Image Use. Albuquerque passed the gift on to Dom Manuel I, the king of Portugal. 136; M., Holl. Rhinocerus ist der Titel eines grafischen Werkes von Albrecht Dürer aus dem Jahre 1515.. Der Holzschnitt stellt ein aus Indien stammendes Panzernashorn dar, das 1515 nach Lissabon gelangt war und von dort noch im selben Jahr auf eine Reise nach Rom geschickt wurde, wo es nach einem Schiffbruch nicht lebend ankam. It’s a pre-eminent example of art besting reality, Last modified on Thu 22 Feb 2018 12.09 EST. From. This finely detailed woodcut produced by Albrecht Durer, one of the great artists of the Northern European Renaissance, records the arrival in Europe of the first rhinoceros to be seen there since the days of the Roman Empire. ‘Rhinoceros’ was created in 1515 by Albrecht Durer in Northern Renaissance style. Artist: Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg) Date: 1515. Medium: Woodcut. Accession: 19.184 On view in: Not on view Music-Making Angels London, British Museum, inv. The earliest known image of the animal illustrates a poemetto by Florentine Giovanni Giacomo Penni, published in Rome on 13 July 1515, fewer than eight weeks after its arrival in Lisbon. London, British Museum, inv. Dimensions. sheet (trimmed to image): 23.5 x 29.8 cm (9 1/4 x 11 3/4 in.) Mar 9, 2013 - The Rhinoceros (B. [44], The pre-eminent position of Dürer's image and its derivatives declined from the mid-to-late-18th century when more live rhinoceroses were transported to Europe, shown to the curious public, and depicted in more accurate representations. [37] This was the seventh of the eight editions in all of the print. Rhinocerus ist der Titel eines grafischen Werkes von Albrecht Dürer aus dem Jahre 1515.. Der Holzschnitt stellt ein aus Indien stammendes Panzernashorn dar, das 1515 nach Lissabon gelangt war und von dort noch im selben Jahr auf eine Reise nach Rom geschickt wurde, wo es nach einem Schiffbruch nicht lebend ankam. Digital capture may set her free, carved as an icon of loss. [46] In 1790, James Bruce's travelogue Travels to discover the source of the Nile dismissed Dürer's work as "wonderfully ill-executed in all its parts" and "the origin of all the monstrous forms under which that animal has been painted, ever since". Rhinoceros Artist Albrecht Dürer Year 1515 Medium Woodcut Location British Museum, London Dimensions 8.4 in × 11.7 in 21.4 cm × 29.8 cm Famous Paintings by Albrecht Dürer Young Hare Rhinoceros Adam and Eve Praying Hands Knight, Death and the Devil Apocalypse Self-Portrait of Albrecht Dürer Melencolia I Adoration of the Trinity Dürer’s Rhinoceros is [11] Many further printings followed after Dürer's death in 1528, including two in the 1540s, and two more in the late 16th century. King Francis I of France was returning from Saint-Maximin-la-Sainte-Baume in Provence, and requested a viewing of the beast. [30] Alternatively, Dürer's "armour" may represent the heavy folds of thick skin of an Indian rhinoceros, or, as with the other inaccuracies, may simply be misunderstandings or creative additions by Dürer. L’image est fondée sur une description écrite et un bref croquis par un artiste inconnu d’un rhinocéros indien (Rhinoceros unicornis) débarqué à Lisbonne plus tôt dans l’année. The elephant is afraid of the rhinoceros, for, when they meet, the rhinoceros charges with its head between its front legs and rips open the elephant's stomach, against which the elephant is unable to defend itself. Considered one of the foremost artists of the Renaissance period, Albrecht Dürer’s extensive work in printmaking transformed the categorization of the medium from craft to fine art. The rhino that inspired Dürer's print was given by an Indian sultan to King Manuel of Portugal in 1515. By this time the block was very damaged; the border lines were chipped, there were numerous woodworm holes and a pronounced crack had developed through the rhino's legs. This may be Dürer's attempt to reflect the rough and almost hairless hide of the Indian rhinoceros, which has wart-like bumps covering its upper legs and shoulders. Purchased item: 5 out of 5 stars. He places a small twisted horn on its back and gives it scaly legs and saw-like rear quarters. 16" x 12", Multiple Sizes. In May 1515, a rhinoceros, the first seen in Europe since antiquity, arrived in Lisbon as a gift from Sultan Muzafar of Cambay, to Emanuel I, King of Portugal. See Clarke, p.19, for a photograph of a gargoyle. Discover (and save!) Alors que Dürer rencontre le succès avec son œuvre, le vrai rhinocéros va connaître une fin beaucoup plus tragique : vers la fin de 1515, le roi de Portugal, Manuel Ier, envoya l’animal en cadeau au pape Léon X, mais il mourut dans un naufrage au large des côtes italiennes au début de 1516. Rhinoceros Albrecht Dürer 1515. The animal was examined by scholars and the curious, and letters describing the fantastic creature were sent to correspondents throughout Europe. Manuel decided to give the rhinoceros as a gift to the Medici Pope Leo X. It’s a pre-eminent example of art besting reality. [5][6] It is possible that a suit of armour was forged for the rhinoceros's fight against the elephant in Portugal, and that these features depicted by Dürer are parts of the armour. / He was in communication with the major Itali… • Millions of unique designs by independent artists. no. [14] The rhinoceros advanced slowly and deliberately towards its foe; the elephant, unaccustomed to the noisy crowd that turned out to witness the spectacle, fled the field in panic before a single blow was struck.[15][16]. Rosenwald Collection. Credit Line: Gift of Junius Spencer Morgan, 1919. Low price guarantee, fast shipping & free returns, and custom framing options on all prints. Albrecht Dürer. Medium. Dürer had never seen his battleship of an animal in the flesh. Dürer hat das Nashorn selbst nie gesehen; der Holzschnitt basiert auf … Kelly Poulter Jun 22, 2020. D E E P S P A C E S P A R K L E & T H E S P A R K L E R S … Clarke, caption to colour plate I, p.181. [32], A second woodcut was executed by Hans Burgkmair in Augsburg around the same time as Dürer's in Nuremberg. In particular, Oudry's painting was the inspiration for a plate in Buffon's encyclopedic Histoire naturelle, which was widely copied. It had been presented by the ruler of Gujarat, Sultan Muzafar II, to the governor of Portugese India, Alfonso d'Albuquerque, who sent it on to King Manuel I in Lisbon, where it arrived on 20 May, 1515. After a relatively fast voyage of 120 days, the rhinoceros was finally unloaded in Portugal, near the site where the Manueline Belém Tower was under construction. Eventually, it was supplanted by more realistic drawings and paintings, particularly those of Clara the rhinoceros, who toured Europe in the 1740s and 1750s. He was a man with great interest in animals and nature and it was unsurprising that he … Rhinoceros 1515 by Albrecht Durer, influential Renaissance animal artwork, framed reproduction. 136; M., Holl. Durers Rhinoceros, 1515. The mission returned without an agreement, but diplomatic gifts were exchanged, including the rhinoceros. The Rhinoceros Date: 1515. Shop The Rhinoceros - Albrecht Durer - 1515 Rectangle Magnet designed by Cranky Old Dude's Fine Art 3. There had been a sensation in Europe when the King of Portugal came into possession of an Indian rhino, which he then tried to send to the Pope – the animal died in a shipwreck. A living Rhinoceros had not been seen in Europe for over a thousand years. (21.3 x 29.5 cm) trimmed to block line except at top sheet: 9 3/8 x 11 3/4 in. Dürer never saw a rhino in the flesh; he created this based on written accounts and someone else’s drawings. He places a small twisted horn on its back and gives it scaly legs and saw-like rear quarters. Albrecht Dürer never saw a rhinoceros in real life. The Rhinoceros, 1515 Albrecht Dürer. ), Rosenwald Collection, 1964.8.697" Credit/Provider National Gallery of Art -----Albrecht Durer ( 21 May 1471 - 6 April 1528 ), a printer and printmaker in 1515, was given a descripton and a brief sjetch by an Unknown artist, that disccribed an Inian rhinoceros that which arrived in … Rhinoceros 1515 by Albrecht Durer, influential Renaissance animal artwork, framed reproduction. Not on View. Dürer's Rhinoceros is the name commonly given to a woodcut executed by German painter and printmaker Albrecht Dürer in 1515. Rhinoceros Albrecht Dürer 1515. Albuquerque decided to forward the gift, known by its Gujarati name of genda, and its Indian keeper, named Ocem, to King Manuel I of Portugal. Vers la fin de 1515, le roi de Portugal, Manuel I , envoya l’animal en cadeau au pape Léon X, mais il mourut dans un naufrage au large des côtes italiennesa… Nederlands: Rhinoceros is een houtsnede door Albrecht Dürer uit een omschrijving verstrekt hem (hij had eigenlijk nog nooit een gezien). Albrecht Dürer had a showman’s instincts for killer subject matter. Albrecht Dürer’s vast body of work includes religious pieces, portraits, and prints. The rhinoceros travelled in a … A rhinoceros that was clearly based on Dürer's woodcut was chosen by Alessandro de' Medici as his emblem in June 1536, with the motto "Non vuelvo sin vencer" (old Spanish for "I shall not return without victory"). Albrecht Dürer, The Rhinoceros, 1515.Pen and brown ink, 27.4 x 42 cm. ^ Some sources erroneously say 1513, copying a typographical error made by Dürer in one of his original drawings and perpetuated in his woodcut. [33] His image is truer to life, omitting Dürer's more fanciful additions and including the shackles and chain used to restrain the rhinoceros;[33] however, Dürer's woodcut is more powerful and eclipsed Burgkmair's in popularity. [13] The only known copy of the original published poem is held by the Institución Colombina in Seville. The ruler of Gujarat, Sultan Muzafar II (1511-26) had presented it to Alfonso d'Albuquerque, the governor of Portuguese India. Albrecht Dürer's Rhinoceros 1515 as Pop Art Print in 12 different variations by Metaversum. [43] The rhinoceros was depicted in numerous other paintings and sculptures and became a popular decoration for porcelain. Dürer hat das Nashorn selbst nie gesehen; der Holzschnitt basiert auf … Kelly Poulter Jun 22, 2020. ‘Rhinoceros’ was created in 1515 by Albrecht Durer in Northern Renaissance style. All prints are beautiful and detailed rendering, including historical description text, superior color prints on high quality paper. Title: The Rhinoceros. Albrecht Dürer’s vast body of work includes religious pieces, portraits, and prints. Created in 1515 Dürer’s woodcut shaped public perceptions of the creature for more than two centuries. When history’s greatest print-maker decided to create an image of the rhinoceros that had visited Lisbon in 1515, it became one of the most influential animal pictures ever. Part of Animality: A Fairy Story by Jens Hoffman, Marian Goodman Gallery, W1, to 17 Dec. [38][40], Despite its errors, the image remained very popular,[6] and was taken to be an accurate representation of a rhinoceros until the late 18th century. 241) Dürer’s famous woodcut records the arrival of the first rhinoceros to reach Europe alive since the third century AD. Un savoir faire de tradition, une poétique de l’objet, au service de la création manufacturée. Albrecht Dürer (1471 – 1528) was a painter, printmaker, and theorist of the German Renaissance.

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